Letztes Wochenende hat Fullfeedback GmbH erfolgreich die Dreharbeiten für einen neuen Toyota Spot abgeschlossen.
nsgesamt vier Spots hat Fullfeedback in Coproduktion mit Bar Vinya Film für Europas größte Fachmarktkette für Heimtierbedarf, die Fressnapf GmbH, hergestellt.
Regisseur Stephen Manuel hat für die Perbit Software GmbH eine Serie von 10 witzigen Spots gedreht, zu denen er auch die Drehbücher schrieb. Die Firma ist deutschlandweit führend im Bereich HR Management. Die Spots sind zu sehen auf der homepage von perbit.
Jetzt ist es offiziell, ab 10. März kommt Iron Doors mit mindestens 80 Kopien ins Kino! In allen grösseren Städten wird er somit in 3D zu sehen sein! Verleih ist Kinostar in Stuttgart. Den Trailer finden sie unter dem Menüpunkt Movies.
Stephen Manuel and Sören Schmidt from Fullfeedback Productions are presenting four new steresocopic 3D commercials at the World of Advertising congress.
The Congress will be taking a behind-the-scenes look at tomorrow's advertising market and furthermore debating the fundamental changes facing all those involved in the advertising value chain. 25th November 2010 will see decision-makers from the top and middle management levels of publishing houses, TV stations, online companies, and media and advertising agencies gathering in the exclusive surroundings of Düsseldorf's Rheinterrasse.
IRON DOORS 3D had it´s german premiere at the Hofer Filmtage. It was the first 3D film ever to be shown in Hof since the annual festival started 44 years ago.
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FullFeedback Productions took home first place at the 3D Film Festival in Hollywood for their new independent film “Iron Doors 3D” on last night. It won the top prize in the "3D Narrative Feature Film" category.
The film world-premiered at the Los Angeles Film School during 3DFF in Hollywood, with a full red carpet press event and screening, followed by the European premiere in London on October 7th at the Raindance Festival.
The feature was directed by Stephen Manuel and stars Axel Wedekind.
Iron Doors is a tale of one man’s intense struggle to free himself from inside a locked vault. He has no idea how he got in the vault – or how to get out – but he somehow must escape before he dies of dehydration.
“We chose to use depth as a tool and not a gimmick", says director Stephen Manuel. "It let´s the viewers get closer to the character and you really have the feeling of veing locked in a vault like our hero."